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Rohan Riley’s breadth of experience in hands-on furniture design, 3/D modelling, and construction has allowed him to create stark, prolific, and seamless interior design. His techniques emphasize the importance of allowing for improvisation with an innate desire to create flexible simplicity. These tools have given Riley license to transform what was once just a house nestled inside of a bay, into a bespoke, majestic, and timeless creation.

How did the Caraar Creek Brief project come about?

To begin with, the house itself needed a major overhaul, not just a minor update. Our goal was to make it more contemporary. Also, our clients love to entertain a lot, so their lifestyle as it pertains to the structure needed to operate like a hotel. At the beginning, we had to completely demolish the whole house and start over again. The advantage of this move is that it allowed us to re-position the house in a way that made the views more accessible and more beautiful. Now we could push the positioning of the house closer to the bay. So instead of following a simple brief for the client to make it more contemporary and simplified, the brief was then expanded. Overall, we ended up with this amazing structure.
What was the design brief for the carpets regarding the project?

It all evolved, but to tell you the truth, it was very improvised around the outside elements and in communicating a festive atmosphere. Each room is color-coded and has a theme. We also took a nod from surrounding elements in the environment. All the colors come back to the garden, the bay, and so on. We wanted to touch on the oranges and blues. We even talked to the landscapers and ideas began to flow. So our color palette began to develop organically.

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Did the resulting design and specifications meet the brief?

Absolutely. We walked through the site and touched base with our clients pretty much every week. The whole process was absolutely fun. It was a true collaboration between the builder, landscaper, and client. Even though the original footprint was set in stone, we were still able to change things around because our client was so flexible.

 What were the moods, tones, and themes driving the project?

As you walk through the house you see the outside elements peaking in, even in the festive-colored carpets. These clients love to have a good party so they have rooms titled “The Sherry Room” “The Tequila Room” “The Wine Room” and so on. Also, we didn’t want to “over-design” anything. We wanted to keep things simple and understated because our client wanted to keep that boutique-hotel feel. As you walk through the house you see the outside elements peaking in, even in the festive-colored carpets.

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What are some of the challenges and hurdles you faced during this project?

The only challenges were in the planning, but they were minor. We had a 5-meter height limit and there was an imaginary line on the site that we were not allowed to build on. That’s basically why the house is divided in two and why it’s at an angle.

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What were the benchmark moments or memorable highlights that you took away from it?

Really, it’s the ideas that come into fruition. The biggest highlight is in knowing that you’re looking at an old house that’s going to be demolished in the beginning of the project, only to see it completely transform into something totally unrecognizable and different in the end. The process was actually a great highlight. When this project was being built, it became much better than what we all originally thought. This happened many times during the actual landscaping and building process. The view from the house was also an important benchmark, plus seeing the clients happy with their finished product.

You specialize in sketch design, 3D modeling, landscape, and furniture design/manufacturing. In what ways have these aspects helped you stand out as an Interior Designer?

I believe in putting all these practices together, because it helps us and our clients get the results they really need. When we envisage a project, we design from the ground up. I think having a landscape background allows a lot of freedom in how you reshape a building site. Having these skills helps tremendously, especially in adding to the scope of the projects, whether it’s an area for children to play in or a special area for dogs, the possibilities are endless. Having a background in furniture and construction really helps because it also provides a bespoke element in everything we do for the client.

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Can you tell us what motivated you to use TSAR?

It’s about the quality. TSAR makes an overall good quality carpet and rug. We took samples to the client who wanted to get carpets made and she was struck by the colors. It spurred on from there. TSAR’s line of colors and the quality is what ultimately sold us, especially when our client fell in love with the bold oranges. Our client was also very particular about fiber, fabric, touch and feel specifications and TSAR met these requests. Also, the blue carpet we put in the lounge room had an uncanny ability to really change with the environment. This particular blue carpet complimented the water in the bay, down to the tiles in the swimming pool and the stones on the wall. That carpet really brings the bay into the whole house. One other aspect, as soon as you take your shoes off and walk around on a TSAR carpet it gives the most luxurious feeling underfoot. You find yourself immediately relaxed enough to enjoy your surroundings.

Visit Rohan Riley Interior Design

 

 

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We spoke to David Sharpley of Tsar Carpets to get the low down on why there’s a huge discrepancy in rug prices on the market. He points out the five main elements that affect cost and what to look for when it comes to quality, cost, and materials.

  1. FIBER CONTENT

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For every fiber, the price depends on the level of quality.

For example, even 100% New Zealand wool can be of high quality and higher price range-and also of a low price rang. If the customer is willing to compromise quality for the sake of cost, then so be it!

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Choosing New Zealand wool of the highest grade will ensure that the lanolin content of the wool is high. Lanolin gives a natural water protective layer to the fibers, making the rug stain resistant. High quality New Zealand wool also has longer strands that make up the thread, meaning the yarn is stronger. These longer strands are the secret to making sure a rug retains its original quality for longer, and aids in the reduction of fluffing and shedding.

Some other fibers that are used include silk, bamboo silk, viscose and nylon.

Silk is usually the most expensive fiber, and nylon and viscose are usually the least expensive. Wool and Bamboo Silk combinations are very popular among those looking at mid-range prices for a high-end product.

Each of these fibers has its place in designing a rug.

Talk to a consultant at TSAR about which fibers best suits your style and practicality requirements.

2. MANUFACTURING TECHNIQUE

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While both techniques produce high quality products, hand-tufting is a less costly option than hand-knotting. This is due to the amount of time, excellence and mastered technique required to create a hand-knotted rug.

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For this reason, hand-knotted rugs are often seen as a more sentimental investment. The same price difference exists in the cost of craftsmanship- lower quality craftsmanship is cheaper than artisan craftsmanship.

Read more about Tsar’s Manufacturing Techniques.

3. COMPLEXITY OF DESIGN

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The intricacy of your chosen design will dictate how long the manufacturing process will take, plus the level of craftsmanship required to produce the rug. These factors will ultimately affect the final price.

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A more detailed design, such as using multiple colors and/or fibers, will have a higher price than a rug of a single color and basic pattern.

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4. PILE HEIGHT AND WEIGHT

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Pile height is another contributing factor to the price of a rug. The thicker the rug and the more raw material required to make it, the higher the overall price.

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The weight of a rug is also an important factor in determining the cost of the product. The more densely a rug is tufted or knotted, the more expensive it will be in relation to its pile height.

High density rugs are sturdier, so they are perfect for high traffic areas like foyers, hallways or under dining room tables where you want to minimize indentation.

5. QUALITY OF FINISH

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Other prices variations between suppliers can indicate quality of latex (for tufted rugs), quality of backing material, and quality of finishing.

Each of these five factors affect the longevity and beauty of your rug, along with the price.

The best and most useful advice for our customers?

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Buy the best you can afford. A higher quality rug will last a longer time, and retain its original texture and design.

Contact TSAR for any questions, concerns, or to speak with one of their design consultants anywhere in the world.

 

 

 

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TSAR’s TREEKO collection catapults carpeting into another sphere of textural sophistication. It’s one colour cut and loop pile knitted carpet made from 100% New Zealand Wool offers singular quality and detail. The result; a carpet or rug with astonishing tactile and textural elements.

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Alexiou_Glebe_Bedroom_crop_Treeko_Patchwork_1TREEKO Carpet Courtesy of Charles Alexiou Interior Design and Architecture

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TSAR’s approach to design with all collections is to provide carpets and rugs that go beyond immeasurable endurance and quality.

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The truth in TREEKO’s magic comes from the raised texture that’s produced on a knitting machine. This method ensures high density customizable color, making TREEKO a benchmark collection that provides the greatest value for the most intricate designs.

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The fabulous launch of TSAR Singapore took place recently at the home of our Singapore associates, Pauline and Tam Goh from VANTAGE CONCEPT.

The Magnificent Home of Pauline Goh

 

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Teresa Ceberek from TSAR Australia has been the tireless force behind the establishment of the exciting new partnership which marries TSAR’s customised carpets perfectly with Pauline’s many years of experience providing highest quality products to the interior design and architecture community of Singapore. Teresa is seen here with Michelle who will be dealing with enquiries regarding the TSAR product range.

Guests at TSAR Singapore Launch

 

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Featuring Pauline Goh, our sensational hostess with guests Joanne Koh and Marlene of SC Global Developments

Teresa Cebrek of TSAR Australia

Teresa Ceberek from TSAR, obviously enjoying the evening, as is Deepu from Michael Fiebrich Design

Guests at TSAR Singapore Launch

 

TSAR Rugs

The luxurious pile of TSAR’s NEVA Rows rug made with Bamboo Silk was a talking point of the night as the guests strolled over it in their bare feet. So luxuriously soft underfoot.   Tuileries by Julia Gentil, TSAR’s Creative Director also reflected the luxury that championed the evening.

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Pauline introduces TSAR to Irene Meta of OUE and Ee Mun of WOHA  while Hui Huy of Duet Design gets the TSAR story from Teresa

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Doiley in Wool and Bamboo Silk by Julia Gentil

Guests at TSAR Singapore Launch

 

Guests

 

Jenny Lewis from Bode

Jenny Lewis from BODE and Terry Fripp from Kerry Hill Architects discuss the beautiful fabrics she supplies to the Designer and Architectural Market