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Rohan Riley’s breadth of experience in hands-on furniture design, 3/D modelling, and construction has allowed him to create stark, prolific, and seamless interior design. His techniques emphasize the importance of allowing for improvisation with an innate desire to create flexible simplicity. These tools have given Riley license to transform what was once just a house nestled inside of a bay, into a bespoke, majestic, and timeless creation.

How did the Caraar Creek Brief project come about?

To begin with, the house itself needed a major overhaul, not just a minor update. Our goal was to make it more contemporary. Also, our clients love to entertain a lot, so their lifestyle as it pertains to the structure needed to operate like a hotel. At the beginning, we had to completely demolish the whole house and start over again. The advantage of this move is that it allowed us to re-position the house in a way that made the views more accessible and more beautiful. Now we could push the positioning of the house closer to the bay. So instead of following a simple brief for the client to make it more contemporary and simplified, the brief was then expanded. Overall, we ended up with this amazing structure.
What was the design brief for the carpets regarding the project?

It all evolved, but to tell you the truth, it was very improvised around the outside elements and in communicating a festive atmosphere. Each room is color-coded and has a theme. We also took a nod from surrounding elements in the environment. All the colors come back to the garden, the bay, and so on. We wanted to touch on the oranges and blues. We even talked to the landscapers and ideas began to flow. So our color palette began to develop organically.

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Did the resulting design and specifications meet the brief?

Absolutely. We walked through the site and touched base with our clients pretty much every week. The whole process was absolutely fun. It was a true collaboration between the builder, landscaper, and client. Even though the original footprint was set in stone, we were still able to change things around because our client was so flexible.

 What were the moods, tones, and themes driving the project?

As you walk through the house you see the outside elements peaking in, even in the festive-colored carpets. These clients love to have a good party so they have rooms titled “The Sherry Room” “The Tequila Room” “The Wine Room” and so on. Also, we didn’t want to “over-design” anything. We wanted to keep things simple and understated because our client wanted to keep that boutique-hotel feel. As you walk through the house you see the outside elements peaking in, even in the festive-colored carpets.

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What are some of the challenges and hurdles you faced during this project?

The only challenges were in the planning, but they were minor. We had a 5-meter height limit and there was an imaginary line on the site that we were not allowed to build on. That’s basically why the house is divided in two and why it’s at an angle.

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What were the benchmark moments or memorable highlights that you took away from it?

Really, it’s the ideas that come into fruition. The biggest highlight is in knowing that you’re looking at an old house that’s going to be demolished in the beginning of the project, only to see it completely transform into something totally unrecognizable and different in the end. The process was actually a great highlight. When this project was being built, it became much better than what we all originally thought. This happened many times during the actual landscaping and building process. The view from the house was also an important benchmark, plus seeing the clients happy with their finished product.

You specialize in sketch design, 3D modeling, landscape, and furniture design/manufacturing. In what ways have these aspects helped you stand out as an Interior Designer?

I believe in putting all these practices together, because it helps us and our clients get the results they really need. When we envisage a project, we design from the ground up. I think having a landscape background allows a lot of freedom in how you reshape a building site. Having these skills helps tremendously, especially in adding to the scope of the projects, whether it’s an area for children to play in or a special area for dogs, the possibilities are endless. Having a background in furniture and construction really helps because it also provides a bespoke element in everything we do for the client.

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Can you tell us what motivated you to use TSAR?

It’s about the quality. TSAR makes an overall good quality carpet and rug. We took samples to the client who wanted to get carpets made and she was struck by the colors. It spurred on from there. TSAR’s line of colors and the quality is what ultimately sold us, especially when our client fell in love with the bold oranges. Our client was also very particular about fiber, fabric, touch and feel specifications and TSAR met these requests. Also, the blue carpet we put in the lounge room had an uncanny ability to really change with the environment. This particular blue carpet complimented the water in the bay, down to the tiles in the swimming pool and the stones on the wall. That carpet really brings the bay into the whole house. One other aspect, as soon as you take your shoes off and walk around on a TSAR carpet it gives the most luxurious feeling underfoot. You find yourself immediately relaxed enough to enjoy your surroundings.

Visit Rohan Riley Interior Design

 

 

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Chysanthemum Rug

So you’ve ogled your friends’ rugs, poured over interior design magazines, and window-licked up and down the streets from here to Timbuktu. Now it’s time to take the plunge and find yourself The One. How exactly does one go about buying a rug?

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Over 30 years of experience in the industry have lead David Sharpley, owner of Tsar Carpets USA and AUS, to become a passionate authority on rugs and carpets.

David’s philosophy is that rugs are the ultimate canvas for creativity. They are tactile and artistic, yet functional and liveable.  They are key elements in converting house to home. The challenge lies in striking balance between quality, fiber, style, cost and performance.

David has given us the coveted top FAQs for buying a rug that ensures your interior design endeavor is a successful one.

1. WHAT ARE THE FIRST STEPS FOR BUYING A RUG?

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  1. Once you have decided where a rug is required, take photo of the space from two or more angles.
  1. Next, mark out and measure the area that you want to be covered by the rug. This can easily be done by laying down masking tape or newspaper.
  1. Re-enter the room and walk around, sit down to see how you like the arrangement.
  1. When you have settled on the layout, you can take the measurements and pictures to a rug and carpet retailer.

QUICK TIP: in a living room, having ⅓ of the rug under the couch and sofa chairs is a good rule of thumb. This ensures a sense of flow through the room.

For a dining room, allow the rug to peak out about 70cm from under the table. This leaves enough room for chairs to be pulled in and out without falling off the edge of the rug.

There are two options when purchasing a rug: you can buy one ‘off the rack’, or you can have one custom made.

Both are great options, but custom designing a rug can cut your search time in half by ensuring you get the exact size, color scheme and design you’re after.

Tsar offers a design service by which you can tweak any in-house design to your liking, or create a rug from scratch. They’ll even make a mock-up of your space with your potential rug designs in it, so you know exactly what you’re getting.

If you’ve completed the above steps, you’re ready to jump right in and start discussing fibers, colors and designs with one of Tsar’s in-house designers!

2. WHAT IS THE DIFFERENCE BETWEEN HAND-TUFTED AND HAND-KNOTTED  RUGS? 

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Hand-tufting is a relatively modern technique. It’s a fantastically fast process in comparison to hand knotting, and the level of complexity that can be achieved in design is unsurpassable.

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Hand-knotting is the traditional way to weave rugs. It is a slow process, but the end result is a worthy investment. As no glues are used, the rug can be washed and will last for centuries.

Read more about the difference between hand-tufting and hand-knotting here.

3. SHOULD I PICK A NATURAL FIBER OR SYNTHETIC?

For rugs, the best fibers are the natural fibers. Quality wool performs better than any fiber: it’s stain resistant, naturally warm or cold depending on the season, lasts for years, and it looks newer for longer.

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However, synthetic fibers like nylon have come a long way, and can be a good choice for a particularly high traffic area, like a hotel foyer, as nylon is stiffer than wool and won’t flatten overtime.

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Other man made fibers, like viscose and bamboo silk, also have their place, as cheaper alternatives to silk.

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While the price of synthetic fibers can be lower than than that if natural fibers, the difference in quality is like solid gold vs gold plated jewellery- both look great, but only one will last forever.

4. SHORT PILE vs. LONG PILE?

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Short pile (where the fiber tufts are 7-9mm high) should be used in most cases as it gives density, which helps to ensure the pile won’t crush underfoot.

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Longer pile is often used in bedrooms for softer feel, but it will compact and flatten over time in areas that receive a lot of foot traffic.

5. WHAT ELEMENTS DO I NEED TO THINK ABOUT WHEN LOOKING AT DESIGNS? 

First, think about some practical factors to set the parameters.

Do you have an animal that sheds white hair? Steer clear of designs with large areas of dark colors.

Do you have messy toddlers? Busier designs will be more forgiving to spills and wear and tear.

Is it a heavy traffic area? Stay away from light colors, especially yellow.

Small room? Minimal designs in lighter colors can make a room feel more spacious.

Also consider the amount of natural light in the room, as this can influence how brightly colors show up. Once you have taken the practical elements into account, you can have fun playing with designs and colors that reflect with your personal taste.

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6. WHY IS THERE SUCH A PRICE DISCREPANCY BETWEEN RUGS ON THE MARKET?

There are five factors that determine the price of a rug: fiber content, manufacturing technique, complexity of design, pile height, and weight.

Each of these factors affect the longevity and beauty of your rug. A higher quality rug will last a long time, and retain its original texture and design.

Read more about the 5 factors that contribute to the price of a rug here.

7. SO HOW MUCH SHOULD I SPEND ON A RUG?

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While rugs can be made to accommodate any budget, it is important to remember that a lower price range can mean compromising the quality and longevity of the product.

Determine which of the five factors that contribute to the price of a rug are most important to you, and figure your budget out from there.

A rug is an investment, and it’s never a bad idea to invest in a quality product that you love, and that will last a lifetime.

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Once you find the find the right rug that fits your interiors, you can rest easy knowing that you’re on the way to realizing your vision. But remember, custom made will always ensure you get 100% quality in terms of fiber, design, and pile height. Take the time to find something perfect for your space, and no matter the house, it’ll always feel like home.

 

 

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We spoke to David Sharpley CEO and founder of Tsar Carpets to find out what’s what in rug manufacturing techniques. With 30 years experience he is well qualified to break it down for us!

Tufted example - trixiTrixi Design – Hand-Tufted with natural undyed NZ Wool, and dyed Bamboo Silk”

Generally, there are two main techniques used in rug and carpet manufacturing: hand knotting, and hand tufting.

Hand-Tufting

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Hand-tufting is a relatively modern technique by which the fibers are punctured through a large canvas to create the rug.

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The threads on the back are then secured by a latex backing, and the front is hand-shorn and sculpted as required.

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It is an impressively fast process in comparison to hand knotting, and the level of complexity that can be achieved in design is unbeatable.

 

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It is a great option for custom carpets and rugs where excellence of fiber and a speedy delivery are priorities.

Tufted example - autumnal

Hand-Knotting

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Hand-knotted rugs are the original way of weaving rugs. Cotton threads are strung up on a loom and the fibers are woven and knotted through by hand.

knot2_14Traditionally, the knotting technique used differs from region to region, and is carried out by specialized artisans, as it is an extremely intricate technique that requires a great level of expertise.

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It is a slow process, but the end result is a worthy investment. As no glues are used, the rug can be washed, and will last for centuries.

Knotted - back(1)Hand-Knotted Back 

Both techniques have their place in finding the perfect rug for your home. Chat to one of the in-house designers at TSAR about which technique works best for you!

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For more tips on what to look for when buying a rug visit TSAR NEWS.

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TSAR’s TREEKO collection catapults carpeting into another sphere of textural sophistication. It’s one colour cut and loop pile knitted carpet made from 100% New Zealand Wool offers singular quality and detail. The result; a carpet or rug with astonishing tactile and textural elements.

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Alexiou_Glebe_Bedroom_crop_Treeko_Patchwork_1TREEKO Carpet Courtesy of Charles Alexiou Interior Design and Architecture

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TSAR’s approach to design with all collections is to provide carpets and rugs that go beyond immeasurable endurance and quality.

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The truth in TREEKO’s magic comes from the raised texture that’s produced on a knitting machine. This method ensures high density customizable color, making TREEKO a benchmark collection that provides the greatest value for the most intricate designs.

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Finding a foothold on visions and dreams is never as easy as it seems. With a passion for the French countryside and plenty of will power to boot, two determined Aussie couples embarked on the tireless quest of acquiring a breathtaking property. After an arduous hunt, Ian and Ruth Bird decided it was time to go back to their home in the U.K. while Ian’s brother David and his wife Marie returned to Australia from France. Once home Marie discovered an email highlighting clues to an undiscovered gem. With some deliberation, they decided it was time to take the irresistible, yet challenging opportunity to purchase a magnificently positioned property.

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The glorious house appropriately titled La Maison Oiseux (House of Bird), is made up of two residences, and quietly nestled in the French countryside located in Cordes-Sur-Ciel. After signing on the dotted line, both couples realized that was only half the battle. Ultimately, they would have to begin the herculean task by designing the interiors remotely.

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Faced with a major renovation, they decided to stay away from dark rooms with little daylight, mixed with garish color contrasts they had previously seen in the area. “The house has that special something that makes you throw caution to the wind,” says Ruth. That meant renovating from a distance and calling on the services of TSAR.

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With the help of an architect, space was redesigned in order to maximize the views across the front of the property. Each of the partners relished the task of designing the interiors.

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Paint colors were chosen to reflect the view and with the help of the design team at TSAR, two gorgeous rugs were designed to invite the colours from the magnificent countryside inside. One rug features wonderful sunflowers that are abundant in the fields nearby.

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One could say that the property offers a home away from home, encompassing the epitome of true Joie de Vivre! Coupled with the secret essence of the beautiful French countryside, history, food and culture, TSAR has truly brought the bon vivant outside to the inside of La Maison Oiseaux.

The house is now available for rent. For inquiries and further information please contact Marie Bird: mariebird@birdgroup.net.au